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Crazy ex girlfriend get out of my house

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Crazy Ex-Girlfriend has never been the most popular show on television, but it has undoubtedly had some of the best, and weirdest, musical numbers. Over four seasons, creators Rachel Bloom and Aline Brosh McKenna delivered a show that never shied from doing something different. And it pulled off the impressive feat of portraying mental illness—in particular borderline personality disorder—through musical-comedy. Of course, not all the extravagant, outrageous, belly-laugh-inducing original songs in Crazy Ex-Girlfriend —written by Bloom along with Jack Dolgen and Adam Schlesinger —had a higher social purpose.

SEE VIDEO BY TOPIC: Get Your Ass Out Of My House (feat. Amy Hill)

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SEE VIDEO BY TOPIC: Get Your Ass Out Of My House [rus sub]

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Over four seasons and more than songs, Crazy Ex-Girlfriend has parodied nearly every possible topic and musical genre. Even their middling entries would still be the envy of the YouTube parody culture from which Bloom emerged.

The season-one subplot about Greg overseeing romantic intrigue at the grocery store was a bit of a space filler as it is, and though it only clocks in about 45 seconds, this grocery-themed acoustic tune still feels agonizingly long.

Is this a much bigger issue in Southern California? After all, Greg was able to keep his drinking problem under the radar — well, from everyone but Paula — for quite some time. Nonetheless …. Same deal with the reprise, which is just window-dressing to the moment where Rebecca realizes that she has a special bond with her younger brother.

This Karate Kid —meets— Footloose bit is a prime example: no lyrical content, but killer moves. Best line : Not really applicable, though those nunchucks and backflips are pretty cool. Breakups often involve a lot of fighting and sex?

The clunky metaphors make it pretty silly and unmemorable, though Gabrielle Ruiz and Vincent Rodriguez do get to show off their impressive dancing skills. Tonally, the reprise makes sense, as deciding to stay in his hometown is a big moment for Greg.

But it would have been nice to see it get the full-length treatment that momentous decision deserves. This is one of the most dead-on sound-alikes the show has done; change a few lyrics, and it could easily pass muster on a Jason Mraz or Jack Johnson album.

There are also some great callbacks for longtime fans, including Joshy Bear getting stabbed and a drink from Cup of Boba being spiked with poison. I decided to group the five songs from the fake Encore, Elliot!

With that said, shout-out to whoever cast those ridiculously peppy backup dancers, who really help sell it. Even by the all-fanservice-all-the-time standards of season four, this song is pretty niche. A supersized dig at voracious online fans pissed about the show breaking up Darryl and WhiJo, its other big target for mockery is… the overuse of ballet in Oklahoma! All hail the King of the Spread. The moves are impressive, though. Who knew David Hull a. WhiJo was such a good dancer?

The cast does give it their all, though, managing to sneak a lot of good visual comedy into all the speed-ups and slow-downs. With that said, Pete Gardner can sell just about anything, and his wig here is incredible. Donna Lynne Champlin gives it her all, but this one is ultimately too vulgar to be affecting. That bit about period cramps and dump cramps is indelible, and not in a good way. There are better songs on CXG about mental illness.

The twist? Given its plot significance, I wish this song packed a bit more of the raw emotion that only peeks through in its final lines. Or the difficulty of buying bras and clothes? Count me among the people who never expected Crazy Ex-Girlfriend to parody nu-metal, but this System of a Down—esque wedding ode is dead-on. As the original song correctly argues, life is mostly random, but sometimes all signs point to making a change, and you have to be ready for that, too.

Midway through its first season, CXG got a bit too reliant on existing musicals, but Rebecca Bunch doing her best Harold Hill is still tough to resist. The only downside is that the first half is a bit visually bland — had the budget allowed for more Music Man spectacle, it would have ranked higher.

Blame West Covina for cutting their school band. But something about it comes off a little bland, like punches are being pulled which is strange for a song in which a daughter fantasizes about her mom getting a cancerous mole.

It has a lot of ideas with potential — the romance of being sad, Rebecca coming full-circle on how her depression started in childhood — but lacks a strong narrative arc, ultimately coming off muddled.

My main complaint is that this is yet another song that could have run longer. The line about Dr. Akopian not accepting health insurance hints that at another minute or so a great therapy satire went unwritten. Early episodes were smart to focus on the difficulties of making friends in a new town, and this peppy little number manages to capture a lot of laugh lines and some quiet pathos between its handclaps. It ends kind of abruptly, though — I actually think it would be better if it were a little bit longer.

With that said, the FedEx box playing the piano is one of the hardest pause-the-DVR laughs this show has ever produced. A musical parody show generally gets one shot at its Les Mis moment, and this songwriting team did not throw away theirs. The throwaway gag about B. The visuals are also subpar, with mediocre camera work that might have been a consequence of limited shooting time at the real-life Raging Waters.

Attempting to skewer four different musical genres while also making an interesting cultural argument and incorporating a slice of the actual main character is, well, a lot to do in under a minute. And those costumes are just fabulous. And it has some pretty impressive pun couplets, like the one below. Rachel Bloom is a Southern California native, and this cheery song is chock-full of loving and hilarious observational details about Christmas in the land of eternal sunshine, from white reggae bands to eggnog fro-yo.

In true Filipino fashion, she pays tribute to her beloved son via karaoke — and then encourages him to move the hell out, even if he has to sleep on the bus. The bizarre random karaoke imagery and chorus of equally frustrated parents singing along and waving their drinks are also great touches. The main problem is that it could stand to be a bit longer; the episode as a whole gets a lot deeper with these issues than the song does.

When Crazy Ex-Girlfriend launched, its creators were surely aware that it was a tough sell. So this ultracatchy summary of the pilot is all about catching up latecomers on the basics, which it does with aplomb. Like tiny stand-up routines, the best CXG songs start with cliched cultural tropes and hilariously break them down into their essential meaninglessness. This is how you do a reprise.

On a pure songwriting level, this Rat Pack parody is a knockout: It manages to string together close to two dozen different sports metaphors in a way that feels narratively coherent, which is no mean feat.

But what makes it extra-great is its sneaky commentary on how much society devalues women who do care work, and how thankless and underpaid that work can be. The little visual touches, like the mic dropping from the air-mask box on the plane, are pretty great, too. And if so, should that kind of pass extend to John Wayne Gacy, or even Hitler?

Beautifully sung and nicely shot in close-ups, this song cleverly lays out both sides of the argument to viewers, letting them come to their own conclusions about whether Nathaniel is right, and whether his relationship with Rebecca is ultimately a healthy one. I get the sense that this may have been an actual debate in the songwriting bullpen, and building it into the song itself is genius.

Crazy Ex-Girlfriend has a lot of songs about sex, and quite a few with Rebecca in revealing ensembles, but this Bob Fosse number is the only one that feels genuinely erotic from start to finish, even as it rips jokes about Harry Potter and the discomfort of thongs. Fans of the Nathaniel-Rebecca romantic pairing had to wait a long time to see them finally sleep together, and this sultry tune does a nice job of turning up the heat without compromising the laughs.

The only factor that mars it is the draggy middle section where Rebecca listens to gay porn dialogue though the cutaway, as she sticks her hand down her pants, is hilarious. Hmmm, not bad! Also, how can you not love a song that invents the trend of fake eyelids? That literally renders the male gaze as Terry Richardson? Or that has a line like the one below? It still has a ton of specificity and great laugh lines, but a couple of the best jokes get sonically lost.

Of the more than comedy videos Bloom has done, this is the one pinned to the top of her YouTube page, and for good reason. It scores high marks on every level, from production to choreography to performance, and its geometry double entendres and puns are as well-drawn as a perfect right angle. This song accomplishes a tricky task of ripping into purity-pledge notions of fatherhood while simultaneously egging on the Darryls of the world — a. This exceptionally well-produced song is a total bop — change the verses to some generic relationship crap, and it could easily get current radio play.

But that would mean losing out on the comic brilliance of Tovah Feldshuh, whose total comfort with having a camera roam every inch of her year-old body is frankly inspiring. Like the best reprises, it brings a totally new angle to the original song, and I wish it had been longer. The Tumblr kind, that is. Champlin delivers every nuance of every line to perfection, and she looks great doing it, too.

No, priest school! How do you put a nervous breakdown into song? The fact that this piece of wisdom comes from Josh Groban, of all people, is just icing on the cake. Its tune is simple, but this pop-punk parody is fascinatingly complex. On the other, these are the myths that men sell about what leads to marriage and a shared Costco card, so how is she to know any better?

It gets even better the more you watch it. I think it may be physically impossible not to love this song. They say love makes you crazy, and this song takes dead aim at the layers and layers of denial that allow a new relationship to bloom. I gasped with recognition the first time I heard this song, and even now, its ability to channel the simultaneous pain and tediousness of self-loathing is truly breathtaking.

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Crazy Ex-Girlfriend

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The CW musical dramedy ended its four-season run Friday night and set up a new chapter in the story of its titular heroine, Rebecca Bunch. Along the way, it tackled issues of female sexuality, skewed romantic expectations, female agency and mental health.

Over four seasons and more than songs, Crazy Ex-Girlfriend has parodied nearly every possible topic and musical genre. Even their middling entries would still be the envy of the YouTube parody culture from which Bloom emerged. The season-one subplot about Greg overseeing romantic intrigue at the grocery store was a bit of a space filler as it is, and though it only clocks in about 45 seconds, this grocery-themed acoustic tune still feels agonizingly long. Is this a much bigger issue in Southern California? After all, Greg was able to keep his drinking problem under the radar — well, from everyone but Paula — for quite some time.

Get Your Ass Out Of My House

An anthem for all parents whose adult kids live with them! Stream the latest Crazy Ex-Girlfriend: go. Gehe zu:. Bereiche dieser Seite. Crazy Ex-Girlfriend 6. Don't drop the ball. Stream free on The CW App: go. Crazy Ex-Girlfriend. September Schitt's Creek on CW Seed.

Get Your Ass Out Of My House (feat. Amy Hill)

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The season stars Rachel Bloom as Rebecca Bunch, a distraught young woman who is dealing with the fallout of being left at the altar. Every song listed is performed by Rebecca, except where indicated. Also, the Josh name is dropped from the episode titles after "Josh Is Irrelevant. The season picks up two weeks after the season 2 finale, with Josh having left Rebecca at the altar, she, Paula, Valencia, and Heather try to devise a plan to take him down.

‘Crazy Ex-Girlfriend’ finale: The co-creators on ending Rebecca’s story

The season stars Rachel Bloom as Rebecca Bunch, a distraught young woman, dealing with the consequences of pleading guilty to attempted murder at the end of the previous season. Every song listed is performed by Rebecca, except where indicated. This season, at the end of the theme song, the woman who is "mistaken" for Rebecca portrayed by Siri Miller has a different line.

SEE VIDEO BY TOPIC: The Darkness - feat. Rachel Bloom - "Crazy Ex-Girlfriend"

An award-winning team of journalists, designers, and videographers who tell brand stories through Fast Company's distinctive lens. Leaders who are shaping the future of business in creative ways. New workplaces, new food sources, new medicine--even an entirely new economic system. Rachel Bloom was among the first to parlay YouTube success into a television series. Despite never gaining huge ratings, it has received critical acclaim as well as an Emmy and a Golden Globe.

The 20 best songs from “Crazy Ex-Girlfriend,” ranked

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Mar 30, - And it pulled off the impressive feat of portraying mental illness—in As far as hooks go, that has to rank as one of Crazy Ex-Girlfriend's best. of her two lovers teasing her about all the sex they had had around her house.

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